Wednesday, 30 November 2011

On life, and death, and how to win.

This post is dedicated to a woman, and the legacy of her loss. My apologies for the sombre tone of this post, but it would have been my mother's 58th birthday today, and I feel it a fitting time to publish the post that I have been sketching out for a while.

She was a woman born into the 1950's role of femininity, a 5ft barely-there doll of a woman that lived and loved and, I feel, should be written about by someone.

In the words of James T. Kirk, "How we deal with death is at least as important as how we deal with life, wouldn't you say?" and I believe that remembering and sharing our feelings of those that have passed is a peaceful, accepting way to deal with death.

Janette was the daughter of Brynley Davies, a Welshman that served in the Navy throughout WW2,
and Mary Edith Davies, his wife who passed from a brain tumour when her daughter was in her teenage years.

In her lifetime, she gave birth to five children, developed a passionate love for poetry and listened to her Foster and Allen CD 3,650 times. She was fiercely patriotic and the Welsh national anthem was played regularly in our household.

The things that I remember most about my mother are little things, and usually things that make me smile in fond remembrance.
The way her skin was so amazingly soft as she held me against her when I was upset, the conviction of her words as she told me that I could do anything I wanted in my life, if only I applied myself; and the amazingly average food that was seasoned with bland, extra salt and overcooked meat.

I remember the day that she died so vividly. The friend calling me from the nursing home, telling me to come and say goodbye. My denial, my vehemence that it was all just another false alarm. The drive across Auckland in rush hour traffic, heart pounding with the fear that it might actually be the last time I spent with her.

Walking into her room, and seeing the faces of everyone gathered before I saw her; seeing the sympathy in their eyes, the resignation, the embarrassment at not knowing what to say to console the heavily pregnant youngest daughter of the dying.

They all shuffled out single file, leaving only my partner, my mum, and myself in the room. She was seated in her chair, the one she was always sitting in when I visited, dressed in that faded hospital gown.
I had to double check that she was breathing; the movement of her chest was so slight. Her eyes were closed, peacefully, as though she was already gone. I didn't know what to say, didn't know who this person was that sat before me.

So I sat, and I took her hand in mine, and I sang to her. I sang to her the song of a Welsh homecoming, and for a brief, precious second, her hand tightened in mine... The first sign of communication I'd had since I arrived. So I sat, and I held her hand, and I told her that I loved her. Then we left.

The nurses told me they would call me when there was any news; good or bad. A short time later, at 3am, the phone rang, and I knew. My mind blanked, white and silent, when they told me.

"I'm sorry. Your mother passed away a few minutes ago."

They asked me if I wanted to come see her now, or if I wanted to wait until morning. They told me that it was as if she had been waiting to say goodbye to me; hanging on to life until she knew that I would be okay, until we'd connected that one last time.

I mumbled something about coming in the morning, and thankyou for letting me know, and yes, I would be able to organise her possessions and make funeral arrangements. The dial tone kicked in, and I walked back to bed, fell into my partner's arms and cried, my grief pouring out hard and fast, a torrent of pain unleashed in wordless wailing.

Sleep came quickly, surprisingly enough. I organised her things. Her house, her will.
I went to see her, lying still and pale in that wooden box in a room in a place full of the scent of disinfectant masked by floral freshener. I kept waiting for her to breathe, for her chest to lift, for her to open her eyes, and tell me that everything was okay; that I wouldn't be motherless at the age of sixteen. That she would live to see my first child born. That it was all just some terrible mistake, and any minute now those things would happen...

But they didn't.

I remember her funeral. The people.
All of the people at her funeral, their eyes full of sadness and loss. I knew she wouldn't have wanted us to be sad. I knew she wanted us to celebrate her life... Though tears still fell down my cheeks as they played 'her song'; Sophie B. Hawkins', 'As I lay me down'.

I remember thinking that I wished I could take all of the pain that was held inside that chapel into myself, away from everyone else, away from the friends and the children and the brothers and sisters. That I could hold it, that enormous, unspoken thing that brought so many strangers together, and somehow make it something that only I had to endure.
Maybe that was because I couldn't feel anything. There was a void in me, and my emotions faded to grey like the end of an old movie.
I was on automatic, and I kept everything going like a well-oiled machine. Slowly, and with time, I began to feel again, regaining a new sense of self and identity as a mother myself.

And so, life went on, as it will. And really, that was the most important lesson that I learnt. Life goes on.
It's what we do with our lives, with every day, that counts in the end. My mother spent her life planning her death, being afraid of herself, of the potential of failure, and in the end, that's what I mourned the most; the loss of a beautiful yet unfulfilled life.

I understand now how important it is to go for those things you want, those dreams you dream, because you never know when and how the opportunity will be taken from you. In some ways, it's what my mother didn't do, as much as the things she did, that taught me about the value of challenging yourself, and of challenging others.

It was the profound impact that her death had on me that helped me to comprehend the complexities of human relationships, and led me to question how I would want to be remembered at the end of my lifetime, and whether or not I would have come to regret the decisions I'd made.

"Live every day as if it were your last, because one of these days, it will be."



Monday, 21 November 2011

Get your Rave on!

Saturday night, it's Rave time! Special Forces theme, and we're ready drop that heavy-ass bass.

First up, Dance Commander Velvet. Sexy, camo'd, and ready to bounce booty.

Here are some pictures from before the camo paint:





Of course, later in the evening, it was time to go devious desert camo...



Next, Trance Trooper Kyle. He's dedicated to dancing. Mind melting beats commence!




And, of course, Smooth Mover Chris. He's got the dancing genius...







Mission status: Complete. Successful collection of dirty beats; euphoric headspace achieved.
Next mission: Acquire new status: http://www.youtube.com/watch?v=KicVw7cYJ4k

Saturday, 5 November 2011

dnalrednoW ni ecilA: Through the Other looking glass.

Alice was, I believe, a perfectly normal human being with a vivid and slightly twisted imagination.

*You*, of course, could argue that if you look at some of the ideas suggested in the tales of Wonderland, you can read either the innocent, if confusing, dreams of an eleven year old child, or the hallucinogenic ravings of a maladjusted juvenile.

Let's walk through this mirror and see reality with a parallel scope. Of course, all of the following interpretations are tinted with the paint of my mind, and as such, I'm sure that you will find yourself making sense of these events in your own way.

We shall start at the place that all good stories start... at the beginning.

In the beginning, Alice was a sleepy young girl that was paying far too little attention to things that ought to have been thought about. Her cat, an innocently evil little fluffball named, of all things, 'Dinah', was apparently her sidekick in this miscellaneous muckery.
Alice, being the stereotype of petulant little girls who don't go to bed when they're told to, was very tired and fell asleep under a tree in the warm afternoon sun; although this fact is not apparent in the writing of the story, so as to make the reader question the reality of said events.
Later on, we may discover the fact that she got sunburnt and developed melanoma.



Now, we can assume one of a few things in this next part. Either Alice was dreaming that she saw a little white rabbit in a waistcoat with a pocket watch running to the hole in the tree or she was filled to the gills with hallucinogenics. In either case, that's precisely what happened, and dear little Alice decided to indulge her natural curiousity with no thought for the consequences.
I mean, really. Who jumps down a rabbit hole without a rope and some carrots to bribe the vicious bunnies?!

The scene at the bottom of the rabbit hole, that of a room with a table holding grow me/ shrink me drugs and a small door, is obviously some kind of reference to the idea that you can't get where you want to go in life without cheating sometimes.
That, or it was merely demonstrating how easily kids are tempted into taking drugs and thus we shouldn't leave our shrinking potions lying scattered around the house, in case they just happen to end up in a mysterious parallel universe, chasing a rabbit.

An important lesson here is that the grass always looks greener on the other side of the small enchanted door. Perhaps if Alice hadn't been so keen to escape to new pastures, she wouldn't have entangled herself in the curious happenings that followed. The question is, however, whether or not it was beneficial. Of course, if she had been a more organised sort of person that had given more forethought to the consequences of her actions, she may not have ended up ten inches high and swimming in a sea of her own tears.




It seems that Alice was a very unhappy little girl for the majority of this story; I choose to take this as a warning that taking drugs and chasing rabbits while wandering in the wilderness of your mind is a VERY BAD THING. This particular story is full of well meaning moral guidings. A good example is when Alice ends up being mistaken by the white rabbit for his housemaid, Mary Ann. She, the silly twit, doesn't correct him on the finer details of her true identity, and attempts to do the job of the maidservant. Alas, temptation appears in the form of a tiny bottle labelled 'DRINK ME'. Now, there are a few things about this situation that make it rather worthy of comment.

Firstly, a bottle that has any kind of directive label on it and is full of mysterious content is sure to be trouble. Secondly, let us take this anecdote as a caution against the vanity and dissatisfaction of self image. If Alice had been more content with the way she was, she would never have felt the need to drink. "I do hope it'll make me grow large again, for really I'm quite tired of being such a tiny little thing!".
Sadly, little Alice learnt the lesson of Regret as she found herself unable to handle the consequences of her decision. "That's quite enough-- I hope I shan't grow any more-- As it is, I can't get out at the door-- Oh I do wish I hadn't drunk quite so much!".
Enough said, really.

The little girl *did* have a fairly good idea when it came to purpose, however. When speaking with the frustratingly obtuse Cheshire Cat, she said "Would you tell me, please, which way I ought to go from here?"
To which the puss replied with a sensible "Well that depends a good deal on where you want to get to."
Now, Alice said next that she didn't care much where she wanted to get to; so long as it was _somewhere_.
This strikes me as a very mature response for such a young person, and perhaps something that is difficult for most people to grasp regardless of age.



Indeed, it is a question in the transient, arduous journey to seeking happiness: Will we be happy when we get to where we're going, or is it the journey that matters? Is it the destination, the goal fulfilled, the reward claimed that sates our need, our drive? Or is it the things that we experience on the way there, and the feeling of satisfaction that comes from merely moving, from continuing to walk to 'somewhere' instead of going nowhere?
However, in this case, we'll take a leaf from Alice's book, in which she states to the Mad Hatter "I think you might do something better with the time than waste it in riddles that have no answers."

Of course, after her encounter with this enigmatic man and the March Hare, Alice finally finds herself in the garden which tempted her into taking size altering drugs in the first place, which proves that you can, obviously, achieve your goals even when distracted, high, regretful and three inches tall, if you go 'somewhere'.



There are many other themes in this aphorism-laden story; things such as the power of authority, the wisdom of asserting one's boundaries when threatened (in Alice's case, with being beheaded,) and the importance of good sportsmanship in croquet.
The Duchess realised this, and indeed remarked to Alice as they strolled through the Queen's Garden arm-in-arm that "Everything's got a moral, if only you can find it."

I do find myself wondering if the King pardoning all of the executions ordered by the passionate-for-beheading Queen during the croquet game was a reference to the facade of rule and power of monarchs in England at the time (and indeed, now,) or if it was a more subtle allusion to the perceived 'madness' and impulsiveness of womankind in general, and the damage control initiated by men after the emotional bombshell has exploded.

Really, there's not much else. The story finishes with Alice's sister waking little Alice up, only then to drift into her own imaginings of strange alternate realities, the concept of which merely served to show her that life would go on as usual; that Wonderland was really with all of us, in our own minds, ready to serve up a good dose of abstract advice when we least expect it.





Tuesday, 1 November 2011

Awkward Dinosaur at Armageddon!


So, on Saturday I went to Armageddon. It was great! As usual, the costumes were fantastic, and the entertainment was entertaining.

Highlights for me were:

Hugging Elmo! (Picture above)

The Guild panel  on the Main Stage at 2pm

Hugging Sackperson (as shown below)

Buckets of mini donuts!

X Men bubblegum

Ninja Bears! Hyaaaaah!

I really love being able to just geek out in a large hall full of other geeks. Can't wait to experience something like DragonCon!


Monday, 12 September 2011

American Woman

So, you know how some women seem to attract sleazy guys? Two-timing scumbags? Sometimes a girl's lucky enough to attract an emotionally stable guy, or a guy obsessed with her.
I, ladies and gentlesaurs, attract Americans.

That's right. You heard me. Soda-pop-drinking, politically dualist, loud and usually 'entitled' masters of the bedroom, aka Americans.
The first time it happened, I thought it was a fluke; I'd never even met an American before DancingBear!
Still, there he was in his expensive Armani suit at the Britomart bus stop; Shaun, the Investment Banker.
He was from Boston, and he talked a mighty smooth line... Right into my panties.

Then there was the sexy, sweet talking saxophone player. He was from Tucson, AZ. He found me on OkCupid, convinced me that it would be a fantastic idea to catch a taxi at 11pm on a Sunday, so that I could... Chat with him,
Yeah, that's right. Sweet, passionate conversation. Well, apparently that wasn't all he had in mind!

After that followed cowboy Thomas, gamer geek Stephen, and Daniel, the tantra-practicing Californian dude with chocolate skin and a smile smooth as sarsaparilla. (Actually, I don't really know what sarsaparilla tastes like, but it was a good word!).

Soon, with my entrancing hypnosis skills and my talent in the bedroom, I will rule the world through the stray men of America. Those who dare to wander through Aotearoa and into my bedroom, or slip a message into my hot box on the site of Cupid's affirmation won't stand a chance against my oh so awkward feminine wiles.

Ah, America. The land of opportunities ^_~